A Most Favored Nation was an original immersive performance using augmented reality, set in the world of the Amazon Studios streaming series The Man in the High Castle. Developed over the course of 2019-202, it built on the research conducted by the Future Storytelling Summer Institute 2018. Created by REMAP Director Jeff Burke and developed by a team of faculty, students and researchers, originally intended for in-person audiences at UCLA's Freud Playhouse, the piece explored theatrical and … [Read more...] about A Most Favored Nation
Live Peformance
UCLA TFT Future Storytelling Summer Institute 2020 (Remote Edition)
In July 2020, a multidisciplinary group of graduate students, faculty, staff, and guest mentors investigated how shared virtual environments can support “next generation narrative.” As with the previous two editions of FSSI, the 2020 Institute focused on creating a resonant storytelling experience centered on social impact themes—inspiring students to illuminate the human condition, inspire social change, and make a difference in the world—using emerging technologies: augmented reality in … [Read more...] about UCLA TFT Future Storytelling Summer Institute 2020 (Remote Edition)
UCLA TFT Future Storytelling Summer Institute 2019
From September 9-21, 2019, UCLA TFT’s Future Storytelling Summer Institute (FSSI) brought together a multidisciplinary group of graduate students, faculty, staff, and guest mentors to investigate how social impact storytelling can incorporate contemporary artificial intelligence (AI) technologies. As with the 2018 session, which used AR to bring audiences into a fantasy world as apprentices preparing to fight for their identities amid border and environmental crises, the 2019 Institute … [Read more...] about UCLA TFT Future Storytelling Summer Institute 2019
Entropy Bound
Entropy Bound is a full-length comedy by REMAP's Jeff Burke and Jared J. Stein currently in development, intending to fuse traditional dramaturgy and code. The script is being written to incorporate production-specific choices by producing companies, and to allow these choices to serve as subjects of media that develop over the course of the rehearsal process and run---further directing the actors' choices with each performance, thus further developing the dramaturgy. The project … [Read more...] about Entropy Bound
UCLA TFT Future Storytelling Summer Institute 2018
From July 9 to 28, the UCLA School of Theater, Film and Television’s 2018 Future Storytelling Summer Institute brought together a multidisciplinary group of graduate students, faculty, staff, and distinguished guest artists/mentors to investigate storytelling in augmented reality (AR) and explore the unique possibilities it offers as a platform for social impact entertainment. The guiding question, at the intersection of research and practice, for the Institute was: What makes … [Read more...] about UCLA TFT Future Storytelling Summer Institute 2018
Laboratorio de Interactividad Corporal
REMAP and Open Perception's OpenPTrack Version 2 (Gnocchi) is now being used for the Laboratorio de Interactividad Corporal (Body Interactivity Laboratory) at the Centro Hipermediatico Experimental Latinoamericano (cheLA) in Buenos Aires, Argentina. A joint initiative of REMAP and cheLA, the Lab got underway this past February, and is developing three new performance pieces that "explore concepts, implications and technologies of physical tracking and augmented reality," … [Read more...] about Laboratorio de Interactividad Corporal
Bicicletas Blancas
As part of the 2017 Noviembre Electrónico Festival at the San Martín Cultural Center in Buenos Aires, REMAP's Fabian Wagmister created the Bicicletas Blancas project---inspired by the anarchist movement Provo's White Bicycle Plan from 1965, the tango La Bicicleta Blanca (Ferrer & Piazzola, 1970), and "ghost bikes" that mark cyclists' deaths on roads around the world. Wagmister biked for ten hours (from sunset to sunrise) for six consecutive nights through Buenos Aires, concluding each night … [Read more...] about Bicicletas Blancas
Los Atlantis
Los Atlantis was an experimental stage piece created by J. Ed Araiza (head of UCLA's MFA acting program), REMAP Director Jeff Burke, and School of Theater, Film and Television (TFT) students. Incorporating immersive projection, online streaming, and participatory theatre techniques, the production created an evolving digital memory of the piece's location (Los Angeles), as well as of each performance and audience to impact the next. Los Atlantis followed a small band of travelers as they … [Read more...] about Los Atlantis
Grace Plains
As one of two productions resulting from TFT's participation in Google's Glass Creative Collective and the corresponding two-semester course, Location-Based and Audience-Aware Storytelling, Grace Plains combined interactive theatre with live-action role-playing. Audience participants were led along a continuously changing set of circumstances as they unfolded on three different sets at Google's YouTube Space Los Angeles. A team of writers, directors, and technicians from control rooms elsewhere … [Read more...] about Grace Plains
Einstein’s Dreams
UCLA REMAP and the Buenos Aires-based company Cuerda Productions collaboratively experimented with the use of media in aerial performance at cheLA in March & April 2013. The intensive, exploratory workshop used Einstein's Dreams by Alan Lightman as source material, and researched possibilities for new software, composition, sound & lighting design, projection of images, video & text, and Cuerda's water wall & "flying" actors. The REMAP team consisted of Jeff Burke (REMAP … [Read more...] about Einstein’s Dreams
Future Storytelling Summer Institute 2014
From July 17 to August 1, 2014, a multidisciplinary group of graduate and advanced undergraduate students from the UCLA School of Theater, Film and Television (TFT) explored new forms of storytelling and performance using virtual production, motion capture, and dynamic design tools. Each day, they received instruction in cutting-edge technology, and applied these skills to collaborative projects. Each evening, they rehearsed these works-in-progress while creating media at a … [Read more...] about Future Storytelling Summer Institute 2014
REMAP/RITL Workshop for Digital Media, Theatre & Design
The REMAP/RITL Workshop for Digital Media, Theatre and Design in Formello, Rome, explored how emerging technologies, materials, and media practices can provide new theatrical languages for stage designers and theatre-makers. A set of technology platforms and tools were chosen for their potential impact on scenography in its broadest sense, and their connection to consumer and industrial technologies that shape our lives. Technologies included Touchdesigner, Max/MSP, and common sensors. A set of … [Read more...] about REMAP/RITL Workshop for Digital Media, Theatre & Design
Rhodope International Theatre Laboratory (RITL)
For eight summers, REMAP contributed to a professional residency and conservatory training program in a mythological birthplace of Orpheus and Western theatre & drama on the Greek-Bulgarian border. Based at the Rhodope Drama Theatre (RDT) in Smolyan, Bulgaria, the Lab brought together artists from around the world for intensive training in performance forms and collaborations built around parallels in global mythology. REMAP artist-researchers provided demonstrations and hands-on … [Read more...] about Rhodope International Theatre Laboratory (RITL)
An Adaptation of Macbeth
An Adaptation of Macbeth is an original multimedia theatrical work that has arisen out of the Rhodope International Theater Laboratory (RITL) and the ongoing collaboration between UCLA REMAP and the Bulgarian host company, the Rhodope Drama Theatre (RDT), now combined with the Plovdiv Drama Theatre (PDT) under the continued artistic direction of Krystu Krastev. The project represents a further step in the group’s investigations of theatrical media and their place within the Cyber Age. Based on a … [Read more...] about An Adaptation of Macbeth
Gone with the Wind Remixed
REMAP provided technical and production support for the development and staging of original multimedia performances inspired by critical examination of Gone with the Wind. Students---collaborating with REMAP's Jeff Burke and four-time Emmy-winning composer & visiting faculty member Laura Karpman---co-wrote, co-directed and co-designed the pieces, while also co-developing the technology. During the Fall 2011 quarter, media concepts were developed, and an interdisciplinary team formed. … [Read more...] about Gone with the Wind Remixed
The Virgin and the Unicorn
This workshop theatre production based on Leonardo Da Vinci’s version of the classic myth was created by Alexandar Iliev (Bulgarian National Academy of Theatre and Film Arts), Jed Harris (Carnegie Mellon School of Drama), Sergio Costola (Southwestern University) and Jeff Burke (UCLA REMAP) for the Rhodope International Theater Laboratory. Collaborating artists for REMAP included Cat Deakins (cinematography/visuals), Jonathan Snipes (sound design/composition), and Francesco Capodieci … [Read more...] about The Virgin and the Unicorn
Blogger Project
Written and co-directed by Tony-award winning director and UCLA theater professor Mel Shapiro, the Blogger Project interweaved elements from Homer’s Iliad, the Iraq War, and Internet-based communication within a simulated gaming world on stage. Like the Blogger Project's text, the visuals resulted from a unique collaboration. For the experimental production, REMAP gathered a team of professional alumni and student researchers---from Computer Science, Theater, Animation, Cinematography, and … [Read more...] about Blogger Project
Three Modern Noh Plays
Using the Ogre-based 3D engine created for Homer in Cyberspace, REMAP created the projection design for a very different theatrical experience: Three plays by Yukio Mishima—Yuya, Dojoji, and Yorobashi—directed, and translated into English for the first time, by Conor Hanratty. Projection design: Jeff Burke, Vanessa HoltgreweSoftware: Vids Samanta UCLA Department of Theater---2009. Click on any image for a larger view: … [Read more...] about Three Modern Noh Plays
Primer/Lem
Primer/Lem was an original puppet, object, and multimedia performance piece created by Matt Acheson, Jeff Burke, Tom Lee, Jonathan Snipes, and Jared J. Stein. The team received funding from The Trust for Mutual Understanding to build the piece while collaborating with puppeteers from Theatredreams Sofia and the State Puppet Theatre of Varna at the 2009 Rhodope International Theatre Laboratory in Bulgaria. The work of the great Polish writer Stanislaw Lem anticipated the way technology would … [Read more...] about Primer/Lem
The Color of Dissonance
REMAP's Jeff Burke led a workshop on the use of media in performance during a residency at Southwestern University (SU), assisting the Theater Department in developing a media-rich production concept for an original operetta based on the relationship between W. Kandinsky, A. Schoenberg, and G. Munter. The piece was co-written by SU professors Sergio Costola, Jason Hoogerhyde, and Kimberly Smith. The show's projection design, by student Duncan Alexander, went on to win the 2008-2009 Austin … [Read more...] about The Color of Dissonance
Homer in Cyberspace
Homer in Cyberspace was a musical first performed at UCLA in 2008. The modern update to Homer's Odyssey was written by Daniel Keleher and Tony Award-winning director & UCLA professor Mel Shapiro, with original music by Roger Bourland (UCLA Professor Emeritus of Music), and media by REMAP. The piece explored the ancient tale of Odysseus, Telemachus, and Penelope amidst the modern tension between technology and the emotional soul. The media design built on techniques of past work---including … [Read more...] about Homer in Cyberspace
Iliad Project
This multidisciplinary project developed techniques to incorporate its audience's demographic data into its story details, thus creating dynamic text. The original piece by Jeff Burke, Adam Shive, and Jared J. Stein anticipated today's micro-targeted news and involved a retelling of Homer’s Iliad, attempting to transform traditional theater with complex digital technology design and audience participation. UCLA School of Theater, Film and Television---2001-2003. … [Read more...] about Iliad Project
Macbett
A mainstage production of Ionesco's political and Shakespearian satire, Macbett was directed by graduate student Adam Shive for this MFA thesis, while collaborating with the HyperMedia Studio's Jeff Burke. Burke conceived and developed interactive systems for the show: The lighting and sound were manipulated by the motion and positions of performers, enabling the supernatural characters to control how they and others within the play's world were presented. UCLA Department of Theater---2001. … [Read more...] about Macbett
Fahrenheit 451
Fahrenheit 451 was a stage adaptation of Ray Bradbury’s science fiction classic, performed as a student workshop production at UCLA. Directors Marc Fellner & Kathy Castoro and producer DJ Gugenheim (all undergraduates) worked with the Hypermedia Studio, which led a team of student programmers to design the video systems. Live and prerecorded video on three rear-projection screens played from a single computer at full resolution and speed, and could be “edited” on the fly by an operator in … [Read more...] about Fahrenheit 451
cheLA
Centro Hipermediatico Experimental Latinoamericano (cheLA) is a research center dedicated to experimentation with converging forms of art and technology, and the potential impact on Latin American cultures. The Center began as a collaboration between Fundación ExACTa of Argentina, the UCLA Program On Digital Cultures, and UCLA REMAP. REMAP artist-researchers have continuously collaborated with cheLA, and with artists in residence at cheLA's complex, such as the aerial performance company Cuerda … [Read more...] about cheLA